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Once upon a time way back in 1957, in the city of Pasadena, California I was born, the third of three boys.
My father grew up on a farm near Altoona, PA, the fifth of twelve siblings. My mother was an only child born in West LA and raised in Pacific Beach, San Diego.
Though we weren’t a musical family to begin with (as my dads family back east was) my mother collected records and music was always in our ears. I grew up listening to everything from Broadway show tunes to classical, from artists like Frank Sinatra, Ella Fitzgerald, Antonio Carlos Jobim, Erroll Garner, to Aaron Copeland, Igor Stravinski, Maurice Ravel, and many other artists.
Of course I had my older siblings which gave me my first tastes of R&B and Rock n Roll music listen to Chubby Checker,Chuck Berry and the Beach Boys. I remember when the Beatles hit and we would buy every Beatle albom the day it was released.
I got my first guitar at age 8.
When I was 14 I met an older kid, an accomplished guitarist named Sonny who just moved with his parents from Mill Valley, CA where he regularly sat in with a band called ‘Too Loose to Truck’ which featured bassist Phil Lesh from the Grateful Dead. It was through Sonny where I first immersed myself into the music of the Dead as I was taught basslines for Sonny to play guitar parts to. It was during this period I became a fan of bassist Jack Cassady (Jefferson Airplane-Hot Tuna) who I tried to model my sound after.
I played my first professional gigs at age 17. At that time no one aside from the band itself played Grateful Dead music, at least in Northern California. In my first bands we played hard rock, blues, then R&B & disco. Then C&W, then to folk and more eclectic forms, styles. Latin, Afro Cuban, Brazilian, etc… Many of these came through my older (middle) brother, Stephen who studied music at UCLA, UC Santa Cruz and SF State. We formed a duo, sometimes trio called the Fabulous Hasbeens, it’s most active years 1981 and 1990.
From 1977 to 84 I played with a number of acts throughout NoCal including the Reno, Tahoe area when is was common to work the same club 6 to 7 nights a week performing top 40, rock and country. Important to note that back then when you said Country, it wasn’t Country Rock. If you played Charlie Daniels, Eagles, that was considered as Rock (to the C&W crowd). In the fall of 1983 I moved to the San Francisco. I would remain in and around the bay area until 2015 when I moved to Southern California.
In 1984 I joined the Reggae group ‘Vision’, learning a style that hereafter would become foundational to my approach to the electric bass. In 1986 I met Rolf Carl and formed a funky jazz quartet called ‘A Times Square Reunion’. This was a period of growth playing music that greatly challenged my playing abilities and broadened my scope of musical knowledge.
In 1987 I landed a gig with Lloyd Gregory (brother of Record heavyweight, Atron Gregory). Lloyd and his band, ‘Friends’ held the Saturday spot at Oakland’s 5th Amendment where I was the first chair bassist from 87 till 92. I gave up my chair to tour nationally and internationally with ‘Little’ Frankie Lee Jones from 93 through 99.
Other artists I played with from this period include Lenny Williams, David Garibaldi, Tom Constanten, Buzzy Linhart, members of Digital Underground, Will Scarlett, Lydia Pense, Steve Kimock. During this period I still played gigs as the 2nd chair bassist at the 5th with Lloyd Gregory. Lloyd would often have long, sometimes hilariously funny introductions for his players.
He would often introduce me ‘Marty the Deadhead’. Somehow, that quip found its way to Melvin Seals who auditioned me in the fall of 99. That year I became a member of JGB and played with at least 5 versions of that band until 2008 -

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